The fact that Gabe continued to refer to him as David O’Russell, not David O. Russell, made him more loveable in my eyes and therefore less guilty.

If Mac and Cheese is a black thing, Paula Deen is my Malcolm X.

i fall into the did not like camp. i felt the whole thing was masturbatory. from the play within a play stuff and the burning house to the over 2 hour running time it all seemed way too self indulgent. having said that, i am really looking forward to frank or francis, which is basically about what i’m doing now.

i’m totally claiming mayor of stars hollow right now!

upvoting because i sent it in as well and i assume it was from my tip.

it’s clear that he-man does not support the legalization of marriage between an arch enemy and his feline “companion”.

shy ronnie is not impressed.

also it seems that the digital shorts are, dare i say it, too weird (aka not funny?)? all in all though it seems like samberg is barely a cast member anymore.

and the french kids sketch made me uncomfortable. like i should be getting what this is making fun of but i’m not. oh well.

as videogum’s expert on being black, i will say this. the thought of a crime such as the one jeremy alleges was done to him sounds more believable when the criminals are black. similar to years ago when susan smith drove her two kids into a body of water and blamed it on a general description of a black guy. in their minds, the obvious response to this would be “of course it happened, a crazy black guy did it!” that inherent thought, does, in my opinion, make them racist.

This episode clearly built the way for the newest LOST spin off starring Desmond and Charlie called, “Get Him to the Looking Glass Station”

in honor of my respect and overall man-love for roger ebert, i’m going with his picks:

best picture: hurt locker

leading actor: jeff bridges

leading actress: sandra bullock

supporting actor: christoph waltz

supporting actress: mo’nique

director: kathryn bigelow

original screenplay: quentin tarantino (inglorious basterds)

adapted screenplay: jason reitman and the other dude (up in the air)

animated film: up

original song: the weary heart (crazy heart theme) by jeff bridges et al.

original score: up

art direction: avatar

cinematography: avatar

costume design: coco before chanel

documentary (feature): the cove

documentary (short): the last truck

editing: the hurt locker

foreign language film: the white ribbon

makeup: star trek

animated (short): a matter of loaf and death

live action short: kavi

sound editing: inglorious basterds

sound mixing: star trek

visual effects: avatar

What I still don’t get is that how a person, a so called MAN, who screwed over two men (Letterman and Carson) to get where he wants can still come groveling back to the network that fired him, TWICE. And then come crawling back for his own selfish, egotistical, “every-man persona” needs. FOR SHAME JAY, FOR SHAME.