It seems like, slowly, Louis is making “Louie” into a big weird autobiography, the very BEST kind of autobiography, and I think that sort of explains the need for the inclusion of the Maron part even though, as Gabe says, a more superior version exists. Sure, but not as a part of this collection. It feels stupid to say that he didn’t get to say his piece, because, I mean, dude talked for three hours, but it was still literally under Maron’s auspices. So this is him owning a piece of that as part of his own thing, which I totally get. Also I have to assume that more people watch Louie than listen to WTF, right?

Ah, youth: so embarassing! Aren’t you glad you were born when you were so that that shit wouldn’t be like, on your Tumblr for the whole world to see? I guess you can just delete a Tumblr, and yet I have to live knowing that there’s a corner of my high school band percussion closet that will be forever hand-scrawled Taking Back Sunday lyrics. Unless the school burns down, I guess.

Seeing it in the theaters was one of the best times I’ve ever had at the movies.

Film studies classes practically ENCOURAGE bad writing, though. My TA used to get angry if we wrote anything other than a series of direct sentences that were manipulative and untrue in that awful “first essay” kind of way. The lighting in the Godfather represents X, as demonstrated by this scene, and this scene, and this scene. Also he was super obsessed with penises.

Also I’m weirdly excited that her name is in a Vgum headline? WORLDS HAD BEEN COLLIDING.

There’s a weird Twitter subculture of people who imitate characters from Studio 60… I mean, those posts are new! That’s the kind of Internet stuff that is just so dark I don’t even want to know about it.