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November 20, 2008

How Many Shitty Meetings Did They Have About Those Quantum Of Solace Fonts?

thumbnail icon: How Many Shitty Meetings Did They Have About Those Quantum Of Solace Fonts?

If you've seen Quantum of Solace, then you remember how each location that James Bond traveled to was introduced by its own uniquely fonted title card. What was up with that? Don't get me wrong, the movie was great, and at least they didn't use typewriter sound effects, but still. I know that James Bond travels a lot for business and that it's important for understanding the narrative to actually know where he is, but all those fonts just seemed to be trying a little too hard, no? I feel like within five years those graphics will already look horribly outdated.

Even worse, you know that they must have had a dozen production meetings to discuss the fonts and make sure each one was just right and really EVOKED the location. You can almost imagine someone writing marketing-style "buzzwords" up on a white erase board to compile and send to the graphic designer for "inspiration."

FOR EXAMPLE...


SIESTA, GRAFFITI, RUM, CARNITAS, DILAPIDATED


RAIN, CEMENT, GRAY, COLD, BUSINESS, HEADQUARTERS


CIGARS, LEATHER, COCAINE, MUSCADET, PONTOON PLANES


ROMANCE, RENAISSANCE, PUCCINI, OLIVES, CHURCH, MAFIA


MODERN, METAL, HOLOCAUST, FASCISM, KAFKA (sic)


GEORGE CLOONEY, MORE LEATHER, PIZZA, PINKIE RINGS, SPORTS CARS


VODKA, COLD WAR, SNOW, COMMUNISM, VODKA, VODKA, THE '80S, GORBACHEV

Nailed it every time.

(images via GoldenFiddle)

Posted by Gabe at 2:00 PM in
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30 Comments

they didn't go to san francisco? pity. that font was banned from *all* my english classes back in the day.

Posted by: maura at 11/20/08 2:18 PM | Reply
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Ha! Yes! This was distracting the crap out of me during the movie. I had a similar, but less hilarious, thought about the font meetings.

Posted by: Kristen at 11/20/08 2:24 PM | Reply
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I felt the exact opposite and I'm a graphic designer so I win! I think those fonts are classy enough to age pretty gracefully.

Posted by: Sara profile link at 11/20/08 2:26 PM | Reply
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I too am a designer, and I agree. Not distracting at all, and actually very nicely designed. I was, instead, distracted by the movie not being anything near as good as Casino Royale. Conversely, my associate said the only way the type wouldn't have bothered him, is if he was watching Quantum of Solace, directed by Wes Anderson, which now I need to see. Score by Mark Mothersbaugh, villains played by Bill Murray and Owen Wilson, how can it fail?

Posted by: MrCrothers in reply to Sara's comment at 11/20/08 2:48 PM | Reply
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I couldn't agree less with the two graphic designers. This is like day 1 of graphic design school right? If you notice the graphic design then it is distracting. They fail because everyone is talking about them. They are obtrusive BECAUSE they were noticed. It's a James Bond movie, so at no point should people being noticing the fonts. If it were a movie about fonts that try too hard (Pixar meets that Halvetica movie), on the other hand, THEN they wouldn't have seem so out of place. What is it about designers forgetting that form follows function. Always? it's like that scene in Mad Men season 1 when Sal imagines opening his own shop where "content follows the art work" (or whatever). When I saw that scene I was like, "Oh, well....hope Sal is good with failing a lot." There's a big difference between art and design.

Posted by: Rebecca profile link in reply to Sara's comment at 11/20/08 3:45 PM | Reply
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Calliwell

As a designer I cringed when you misspelled Helvetica. Also don't trash that font, Helvetica Neuve is quite simple and stunning.

As for these James Bond fonts, I'm sorry Gabe but they were the best parts of the movie. I missed 1/3 of it because my brain was all "you've seen this before, I didn't care for the Bourne Movies either body. Go into sleep mode pls."

Posted by: Calliwell profile link in reply to Rebecca's comment at 11/21/08 1:35 PM | Reply
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Yep. My spelling sucks. That's why I'm not a professional speller. Or punctuation person. Did you notice my "?" boner ? I bring shame to my family. Anyway, I just read my comment again and I don't see where I trashed Helvetica. I rather like it and employ it often.

Posted by: Rebecca profile link in reply to Calliwell's comment at 11/21/08 2:30 PM | Reply
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interestingly MK12 did the motion graphics for the movie and they are fuckin' amazing. The typefaces look like they were done at the last second or by an intern, though

Posted by: nb3004 at 11/20/08 2:35 PM | Reply
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Mark

Really, you're bitching about fonts? No, David Blaine.
Can we instead focus on that annoying rollover ad that's on every page?

Posted by: Mark profile link at 11/20/08 2:42 PM | Reply
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Couldn't agree more.

Posted by: Eli! in reply to Mark's comment at 11/20/08 2:57 PM | Reply
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yes, please. that ad is terrible and annoying and just plain awful.

Posted by: spectator in reply to Eli!'s comment at 11/20/08 3:52 PM | Reply
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whats funny is i work in advertising and this is EXACTLY the kind of bullshit we deal with from clients. probably the most spot on and hilarious post of the year. thanks.

Posted by: Sammy at 11/20/08 2:54 PM | Reply
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i thought those were pretty cool. nice tough

Posted by: D at 11/20/08 3:19 PM | Reply
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Fonts MAKE ME SO MAD TOO. It wasn't the nonexistent narrative, the incoherent action scenes, the junior high-level concept of said action scenes (air, water, fire, earth, and MY DICK), the inexplicable exploding hotel, or the fact that this movie reverted to Roger Moore-era Bond and got everything wrong that Casino Royale got right - no, it was THE FONTS.

Posted by: Nick McNick at 11/20/08 3:36 PM | Reply
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Gabe

Excuse me, but they absolutely explained the exploding hotel. It was the power cells. They seemed very unstable.

Posted by: Gabe profile link in reply to Nick McNick's comment at 11/20/08 3:42 PM | Reply
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i just laughed so loud at that comment, Gabe.

Posted by: NJOY in reply to Gabe's comment at 11/20/08 5:32 PM | Reply
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I enjoyed the fresh-seeming titles.

Posted by: Max Silvestri profile link at 11/20/08 3:57 PM | Reply
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Obviously renewable energies are very unstable. If that was a coal powered hotel there would not have been a problem.

I'm a scientist. I know these things.

Posted by: Steve at 11/20/08 4:12 PM | Reply
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Sweet Baby Moses! It was so distracting. I do a lot of design for my high school newspaper, which makes me like 2 percent qualified to comment on aesthetics, but, seriously, I wanted to scream every time I saw it. It was honestly the worst part of the movie for me.

Posted by: Nevis profile link at 11/20/08 4:41 PM | Reply
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I haven't seen this movie but I will say that the fonts in Into the Wild were seriously THE WORST. I knew the movie was going to suck halfway through the opening credits. And I was right.

Posted by: Sarah at 11/20/08 6:34 PM | Reply
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Seriously, the dude who directed "Quantum of Solace" also directed "Stranger Than Fiction" and if you've seen that film, you know the guy has a serious hard-on for crazy graphic design. I'm surprised Daniel Craig's dialogue didn't jump out of his mouth in crazy animated word bubbles.

Posted by: Devin at 11/20/08 11:13 PM | Reply
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Ballroom Pink

The Siena font evokes A Room With A View!

Posted by: Ballroom Pink profile link at 11/21/08 12:32 AM | Reply
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"I know that James Bond travels a lot for business " is now my favourite understatement.

Quantum of Solace sucked, but I love that the villain wore a red Kabbalah string.

Posted by: Ashley at 11/21/08 5:31 AM | Reply
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Calliwell, I think you meant Helvetica *Neue*, not Neuve. Just to be accurate.

Posted by: Marissa at 11/21/08 9:52 PM | Reply
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It just got real real in here!

Posted by: Rebecca profile link in reply to Marissa's comment at 11/22/08 1:26 PM | Reply
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I actually loved the first Italian city font. The rest were too distracting.

Posted by: aaron at 11/22/08 1:02 AM | Reply
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I hated the fonts AND the opening credits (sooo AfterEffects for Beginners). I assumed that thing and the fonts were done by the same people with terrible, tacky taste.

Posted by: Dana at 11/22/08 3:41 PM | Reply
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I just saw the movie, and here's the weird thing: One of those screengrabs is wrong. I don't know if they changed the fonts for the US version or what, but in the print I just saw, Port Au Prince didn't have that bad '80s reggae album-cover font -- it's rendered in large block capitals in an scratched-up, old-fashioned ornate font. (I can't name the font -- I'm no graphic designer -- but if I had to sum it up in three words, it would be "Faded Circus Poster".)

Posted by: sparky profile link at 11/24/08 12:15 AM | Reply
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Who cares if you're a designer or not. So am I and the titles and opening sequences sucked. Period. Designers don't have some sort of corner on the market on what is good just because they're designers. Hello London Olympics logo?!! The fact is, while I appreciate the team responsible for these were trying to push the boundaries of what we associate as familiar elements in 007 movies, these were distracting and in my personal opinion just tacky.

Posted by: DBG at 11/24/08 11:41 AM | Reply
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I liked them - but yes if we are talking about something like this they might have wanted to dial it back a bit.

Posted by: robo-magic profile link at 11/24/08 9:48 PM | Reply
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