Congratulations to the NUMBER ONE MOVIE IN AMERICA, The Sorcerer’s Apprentice. Personally, I’m not even sure if I’m going to be able to figure out WHAT I thought of it until I see it a few more times. It’s like peeling away the layers of an ensorceled onion! And, obviously, I’ve already pre-ordered the DVD on Amazon. Up until now, I’ve avoided buying a Blu Ray DVD player, but I’m finally ready to take the plunge. Can you imagine feeling the rush in the comfort of your own home when Nicolas Cage is like, “Plasma ball.” WHOA. And remember the part with the dragon? That I definitely saw in the movie and am not just referencing because the Sorcerer’s Apprentice trailer has shown before every single movie this summer? Wasn’t that a cool part?

“I’m Jerry Bruckheimer.”
–Jerry Bruckheimer

I’m sure this thread is going to explode into a pretty intense debate. People are very PASSIONATE about how they feel about this movie. Let’s try and remember that we are all here for the same thing: to talk about pop culture and have a good time. Should we really let the biggest, funnest, best, most important movie of the year get in the way of that? Just kidding. Rip each other to pieces!

Comments (110)
  1. But what about that spinning top?

  2. I can’t believe Carrie stayed with Mr. Big after all!!! Talk about a “dream” come true!!!

  3. Nic Cage is laughing all the way to the bank!

  4. The movie was okay, but to be honest, all that airbending just looked like fancy farting to me.

  5. Just hangin”

  6. Jason Segal as nerd-villain Vector was my favorite. And Gru’s little yellow Minions? Adorable!

    Of course, I was pretty sure that the oldest orphan would try and make some iCarly joke in there somewhere. And then she didn’t! Kuhdooz, director of that movie!

  7. Well, I’ve been hearing great things about Inception, so I was gonna see that tonight, but I guess I’ll see this instead so I can take part in this thread

  8. I would watch a sequel to Inception that’s just the Japanese guy sitting in that tea house, eating soup and growing older.

  9. Is this the Mel Gibson Wiretapping Enthusiasts blog? I am looking for more wiretapped Mel Gibson telephone conversations.

  10. The simple fact is that if Dicaprio had gone to Christopher Nolan and said “I want to play a magician. You know, I want to play like a sorcerer,” and had Miles Davis and Walt Disney as “surrealist fathers (of sorts)” then he would be sitting top of the pops this week.

  11. Feel free to take down this comment if it is too controversial, but man, Mickey Mouse has changed. I wonder if he’s had some work done.

  12. “I’ve been in two Oscar-winning movies. How’d I get stuck playing Mickey Mouse with this asshole?” — Jay Baruchel

  13. Mal was not dead.

  14. Hidden due to low comment rating. Click here to see

  15. so….what are we supposed to be discussing? That new Pete Rose documentary? Well let me tell ya, it’s gonna be his biggest hit since 4192. (gross)

  16. One of my Facebook friends posted that she had a good time at the drive-in watching Toy Story 3 and “THE MAGICIAN’S ASSISTANT”.

    So apparently Jerry Bruckheimer needs to come up with more memorable titles.

  17. Comments Overheard In Reaction to the Trailers Before “Inception.”

    Piranha 3D: (Girl in my row, five seats away) “That’s going to make soooo much money.”
    Charlie St. Cloud: (Girl behind me, softly) “Gay.”
    The Town: (Same girl behind me, when Ben Affleck takes mask off) “Gasp!”
    Due Date: (Someone, upon seeing Jamie Foxx) “Oh man, this is buttered. I said no butter. No butter!”

  18. Man, I wanted to cry every time there were flashbacks showing the magician and his dead wife doing magic tricks in happier days, but then that twist came along and she was so crazy!!!

    Wait, I lost track of which DiCaprio movie I’m referencing

    (Real talk: I fucking loved Inception! It violated my brain, and I liked it)

    • Hidden due to low comment rating. Click here to see

      • “Wah.” – Steve Winwood’s Rotten Tomatoes “Inception” quote.

      • Steve I agree with you that The Usual Suspects is wayyy overrated but Diabolique– the original, at least– is so good!

        • The original Diabolique? Sure. The 90s remake with Kathy Bates finally giving in and lighting up another cigarette at the end (SPOILER!) after the psyche is revealed? UGH!!!! Hate empty hollow modern movie shit

          • I have to agree with you. I didn’t dislike the movie–it was a fine way to spend an evening–but I didn’t think it was great or a movie that I will ever want to watch again. I also saw the Last Airbender this past week and they pretty much were equal. Great special effects, ehhh stories. The Last Airbender was marred by terrible acting; Inception’s acting was good. But other wise they were mostly just visually appealing, but ultimately empty movies (for me). (Also, all of the cool visuals I’d already seen in the previews, which seems like a rip off).

            I didn’t get bored until the end–the climax was far too climaxy. Too much mind-shooting. It would seem that in a movies where you have characters who are going inot and out of dreams, the dreams should be stranger and should get stranger the deeper you go. But the deepest dream was just a fort with shooting a snowmobiles, or basically an episode of G.I. Joe.

            In the end, I felt like there was nothing at stake and there was nothing for me to learn from the movie. I don’t want to crap on anyone else who loved it–I did enjoy it–but I had higher hopes.

          • This “Mans” fella is my new best friend

          • Will you buy me a ticket to a movie that neither of us will like? Maybe then after that we can eat at Chili’s.

  19. I was just psyched that Nicholas Cage never yelled at Baruchel. I was expecting him to yell something like “you’re not ready for this mission, you’ve compromised our efforts, you’re not the architect I’m looking for,” etc. Even when Baruchel climbed into Cage’s dream elevator he didn’t yell! Kahdooz to the director.

  20. i didn’t see it. here is a cat wearing a wizard outfit.

  21. i don’t know if that top is still spinning, but I sure am. tee hee.

  22. My thoughts on Inception: I know most actors would want the Leo role with the gravitas and all, but JGL had the coolest scenes of the movie. Also many places are saying the top starts to wobble, thereby signifying it was in fact reality at the end. Thoughts?

    My thoughts on Sorcerer’s Apprentice: We were watching Undeclared before we left and Jay was so little! Remember the one with Samm Levine and the frat? etc.

    • I read an interview today with the guy who played the chemist and he said two things about the top: 1) He clearly hears a wobble as the screen cuts to black. And 2) it’s less important what the top does than it is that Cobb walks away from it without registering what it does. It signifies that he’s free of the obsession.

      • see i thought that the fact that he didnt give a shit about the top clearly meant that the idea of seeing his children in front of him far outweighs the questioning of whats real and whats fake, which can be interpreted as being free of his obsession, but i thought it was a bad thing, as in he’s sucked into the idea of being with his kids and it doesnt matter if its all just a dream. As in He’s lost his grip. Hmm.

      • It doesn’t matter if it’s a dream or not. The whole thing is weak sauce

        • Steve, I think part of the reason people are reacting poorly to your comments is that they feel that you are merely being contrary for the sake of it. Why did you find Inception weak sauce? Be specific!

          • It just didnt feel very consequential, the action seemed to be making up new contrived rules as it went along (floor is lava and tile cracks are lasers) and the discussions between Ellen Page and Leo left me resigned to just letting whatever happen happen but I didn’t feel very invested in any of it. The weepy fatalistic romance with the pretty french babe (Marion Cotilard? sp?) was boring, I didnt care if they planted the idea in Cilian Murphy’s mind or not, which was the whole point of the entire film, and it didnt feel like anything mattered, I didnt care about the mystery of Leo’s wife or his subconscious, it was just boring and depressing. I dont have fond memories of Flatliners either but a coworker of mine agrees with me that Flatliners seems to have aged better in our dream world subconscience

  23. goodbye cupcake snake, hello ensorceled onion!

  24. I was less invested in the inception of the idea and more invested in them just surviving/not going into limbo and just completely losing their minds; in fact, one of the more compelling aspects of the movie, for me, was how completely fucked they were. It’s interesting to read that people didn’t feel like there were consequences for failure, because all I could think about for a long portion of the movie was how terrifying it was that they were pretty much doomed to madness.
    Additionally, I also thought Ellen Page’s character was grating- I kept wanting to be like, Girl, don’t be telling Leonardo his business. Dude has been kicking ass in dreams since you were in short pants.
    But I found the plot- and the actual heist element- to be really interesting, and the thing with Cotillard went in a lot of directions I didn’t foresee. Add to that some special effects that I felt had a lot of style, and I was a big fan. I’m actually probably going to go and see it again.

    • Speaking of Juno, every time she opened her mouth, I kept waiting for Michael Cera to show up all emo and soft spoken in short shorts. That would be limbo.

      Also, the payoff was a little Shyamalan-esque ridiculous, no?

    • Oh my gosh, THANK YOU! I was completely into the heist/actiony elements, and I wanted them all to survive more than I wanted Leo to face his inner demons (not that that wasn’t important.)

      And Juno is one of my favorite movies, and I am an Ellen Page fan, but she was annoying as hell in this.

    • agreed. Everytime they went deeper I became very anxious. And the fact that they left arguably the weakest member of the team at the first level was insane. When they saw the assassins and what not maybe they should have rethought keeping the chemist as the gatekeeper to their sanity.

      And I enjoyed the Mal stuff at the beginning (especially since I had thought she was a double agent of some sort), it started to drag on me. I could understand if she was a real woman double crossing you, but she’s a figment of your imagination- shoot the bitch!

  25. Inception. YAY.
    So this movie was very good. It had great storytelling, great action and great acting (DiCaprio is DiCaprio (“So great obvs no doy -Soft Gabe (Nailed it!)) (“He’s pretty and in Titanic? Fuckin’ SWOON -Ladies) although I kinda really don’t like Ellen Page.


    Boo! Get off the acting!

    But back to the movie. It’s very smart (and yes it’s Glade!) and everything follows a specific set of rules (for something Christopher Nolan just made up but they kinda seem to make sense like if this dream invasion thing was real, these would be the actual rules).
    Plus the ending. OMG THE ENDINGLOLPOGS!!!11!1 (Not the ending-ending but like 10(?) minutes before.) It’s not perfect but it met my quite high expectations and I would recommend that everyone go see it.


    Let’s tell Ellen Page to go away.


    Go away Ellen Page.

    Good, she’s gone.

  26. And the word of the day is, “CONTRIVED”

    -Steve Winwood

  27. this looks gross.

  28. So here’s my take on the spinning top at the end. I don’t think the top is there to make us question whether or not Leo escaped the dreamworld. I think it’s purpose is to show Leo letting go of his wife and the guilt he feels about what happened to her.

    I attempted to explain this to a friend, but only got about halfway before he got angry and told me I was wrong and that Nolan DEFINITELY meant for us to question whether Leo got back to reality or not.

    But if we’re supposed to leave the theater thinking “Did he get out or didn’t he?” then I really think each of those two possibilities needs to make logical sense within the movie. But both possibilities don’t make sense.

    If he is still stuck in limbo or some sort of dreamworld, then the story doesn’t have a conclusion. He’s just in limbo, the end? Does anyone think that’s a satisfying ending? I mean, he’s going to wake up eventually right? And by “eventually” I mean in a few minutes time back in the real world. And when he does wake up, wouldn’t everything just pick up right where it does at the end of the movie anyway? Wouldn’t he just get off the plane and go see his kids? Which is exactly what we saw happen?

    See? That ending would make no sense. And that’s why I don’t think Nolan meant for us to consider this a possibility. The only thing that makes sense is that Leo woke up and went home to his kids, which is exactly what the movie showed us.

    My friend told me I was over-thinking this, but I think he’s got it exactly backwards. I think my interpretation of the ending is much simpler.

    Thoughts?

    • Just to play devil’s advocate, I thought that the spinning top at the end meant that it was possible that EVERYTHING that came before was a dream and that maybe the entire movie took place within someone’s head. So we never actually saw any waking life, it was all just dreams within dreams, and nothing was real.

      I like your interpretation better though. Leo deserves a happy ending for once. (I’ll never forgive Kate Winslet for letting go.)

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